“'Smallville' co-creator Alfred Gough on the 'Superman' challenge - Weblogs.baltimoresun.com” plus 1 more |
| 'Smallville' co-creator Alfred Gough on the 'Superman' challenge - Weblogs.baltimoresun.com Posted: According to New York Magazine's Vulture blog, "Insiders say the closely-guarded script for 'Superman' suffers from major third-act problems, and the studio faces a ticking clock on that franchise, legally speaking; if a Superman film isn't in production by 2013, Warner Bros. loses the rights to the entire Superman franchise and would have to re-license it from its original creators — the estates of Detective Comics writers Jerry Siegel and Joe Shuster — at great if not prohibitive expense." For an interview in tomorrow's Live, I recently spoke to Alfred Gough, who co-created TV's "Smallville" with Miles Millar (the two also wrote the script to "I Am Number Four"). He reminded me of Superman's changeable screen history -- and how hard it is to establish a new identity for the Man of Steel and still please fans of Superman comics. "We were approached by Warner Bros., where we had an overall deal to develop TV shows, literally ten years ago ('Smallville' finishes its TV run in May). Literally we're about to go off and shoot the 'Charlie's Angels' pilot in Miami and ten years ago we were shooting Smallville in Vancouver. They had gotten Superman from the feature division. They were like, 'we want to do Superman in high school, how do we do it, how is it not cheesy?' Remember this is pre-superhero movies. The first 'X-Men' hadn't come out yet and the last generation of Superman had been 'Lois and Clark.' How do you do make it and how do you ground it? "We realized, going back to the roots, that what's interesting about Superman is that he has been adjusted for every generation. In the Forties he fought the Nazis. Then he was sort of a G-man for the Fifties, the George Reeves Superman doing Clark Kent with the coat and the hat, very matter-of-fact and practical. Richard Donner did the films in the 1970s and made it all epic. Then in the Nineties, with 'Lois and Clark,' he was kind of a yuppie. So it always fit the times. "Our challenge was, how do you take the guy everybody knows, who's the squarest of superheroes, not cool like Batman, who's not Peter Parker feeling responsible for his uncle's death -- Clark never having had that kind of angst -- and go back to the basics without re-doing what Dick Donner did with the help of [screenwriter] Tom Mankiewicz on 'Superman.' (We loved Dick -- when we had worked on 'Lethal Weapon IV,' we had talked to him about his 'Superman.') "So we came up with the idea of him crashing to Earth in a meteor shower for a very practical reason -- if a space ship crashes in 1989, how does every satellite in the world not pick it up? Also, if you're Clark Kent and you have these superpowers and you're in a small town, what are you fighting every week? It can't always be social injustice in the cafeteria. "The idea that kryptonite gave normal people powers was an idea that sustained the series -- also, that Lex Luthor was in Smallville as well. At the time we were burned in effigy on the Internet. I went back to my old high school a year and a half ago and there were seniors who had started watching when they were eight or nine -- and this show had become this generation's understanding of Superman. "Of course, the next people who start it up will be hated at first, too. I mean, when they took the first Superman film to Comicon, they hated it. There's a certain level of Superman fan you're never going to please. "But when they screened the pilot of 'Smallville' for the DC writers in New York, and they really liked it, you felt you got a seal of approval. When they finally saw it, the editor of the comic book at the time, Jenette Kahn, said a lot of them were saying, 'Why hadn't we thought of that before' -- the highest compliment to get from people that live and breathe Superman on a daly basis and have for decades." This entry passed through the Full-Text RSS service — if this is your content and you're reading it on someone else's site, please read our FAQ page at fivefilters.org/content-only/faq.php This posting includes an audio/video/photo media file: Download Now |
| Bring on the lockout: NFL has week to forget - CBS Sports Posted: In the end, which is now when you think about it, this will be remembered as a Super Bowl the game could not save. Frankly, a slightly-better than average game had no chance against the nightmare of the week. In fact, if you get right down to it, maybe a lockout wouldn't be such a bad thing, if only to give the sport time to recover from the disasters perpetrated in its biggest week of the year. An ice storm caused by either intransigent owners or obdurate players (depending on who's doing the spinning) blew the early week to smithereens, and the league's ridiculous inability to put tickets and seats together on Sunday bookended a terrible week for the league's reputation as Party-Giver Extraordinaire and Plenipotentiary.Oh, the Green Bay Packers were happy, don't get us wrong. They were the best team in football for the last weeks of the season, and without argument. Aaron Rodgers was repaid with a usurer's interest rate for the indignities of the Brett Favre period of his life, and is now the logical inheritor of the Brady/Manning throne as the Quarterback of the Decade. Mike McCarthy got his back after being blamed in San Francisco for not being able to turn a sow's ear into platinum ingots back in 2005. And general manager Ted Thompson has a metric ton of I-told-you-sos he and his secretary will be working on from now until the first OTA. For all the malicious grief he took on the Brett Favre case, he must be a particularly devoted believer in karma. Good on him, too. But the league got its comeuppance on so many other fronts last week that the indecipherable shrieks of Christina Aguilera were actually a positive on the What Went Wrong Scale. The weather ruined the early part of the week, but Roger Goodell, as an employee of the owners, does not yet have the full powers granted to fulltime employees of The Weather Channel. But those inside couldn't pull themselves away from the labor/management nightmare both sides seem hell-bent upon concluding. The Steelers used Media Days I and II to excoriate the 18-game schedule concept as directly antithetical to league's stated goal of reducing concussions. Both DeMaurice Smith on Thursday and Goodell on Friday struggled to put a sensible explanation for their positions, convincing the rest of us that their chances of doing this right are even smaller than we imagined. Then came the extraordinary greed of trying to wedge too many people into too few seats, a deserved result of the "temporary seating area" concept. At these prices there should be no temporary seating areas, and the only explanation for why the league thought it was good idea is that it bought into Jerry Jones' idea that putting a high price on even the worst vantage point, people think you're doing something truly special. Yes they did, and there's a word for it. Gouging. Frankly, the only way the league can save itself here is if Jones and Goodell go house to house to personally deliver the rebate checks to the 400 fans, and then stay to clean out their garages. I mean, in an event notorious for its avarice, this was a pure ski-mask-and-teller's-note special. And the Party Pass concept, in which you pay an almost exorbitant fee for not having a shot at seeing the game, is a Federal Trade Commission matter if ever there was one. And then there was game day, in which the league turned the entire day into a civics lesson (the flyover that the people in the stadium could see only on TV was a particularly cynical touch) and then turned the National Anthem into four-cats-in-a-three-cat bag. Not only that, it reinforced the idea that when your band has agreed to appear at the Super Bowl in any capacity, your career is in freefall. The Black Eyed Peas may still have some life left in them, and credit to them for not electrocuting themselves, but Aguilera? Did she do something important recently that we missed? Who books these acts, Milton Vaudeville? And finally, it was heart-warming to see that Art Schlichter, onetime quarterback and ongoing gambling addict, allegedly stiffed several ticket-buying clients by taking their money and then blowing it on gambling losses. The Secretary of Metaphor says his medal will be in the mail. There may even be a case to be made that the game the league keeps saying it is trying to make safer had a staggering number of injuries, but we'll chalk that up to bad luck and two teams that like to hit, well, hitting. But in all, this was a sorry excuse for a Super Week, a terrible confluence of events, greed and witlessness making Super Bowl XLV the kind of event that makes you fear for the health and sanity of XLVI. I mean, what next -- a meteor shower? Ray Ratto is a columnist for Comcast SportsNet Bay Area.com ,mf This entry passed through the Full-Text RSS service — if this is your content and you're reading it on someone else's site, please read our FAQ page at fivefilters.org/content-only/faq.php This posting includes an audio/video/photo media file: Download Now |
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