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Monday, February 28, 2011

“Asteroid discovery record set last month, using Hawaii telescope - The Christian Science Monitor”

“Asteroid discovery record set last month, using Hawaii telescope - The Christian Science Monitor”


Asteroid discovery record set last month, using Hawaii telescope - The Christian Science Monitor

Posted:

Asteroid discovery record of 19 objects in one night was set on Jan. 29. The asteroid discovery record was accomplished using a powerful telescope on the Hawaiian island of Maui.

A telescope high atop a volcano peak in Hawaii has set a new asteroid-hunting record: 19 space rocks discovered in one night, the most ever by a single telescope, astronomers say.

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The Pan-STARRS PS1 telescope, located at the summit of Maui's Haleakala volcano, set the mark on Jan. 29, discovering 19 near-Earth asteroids. Two of the space rocks have orbits that will bring them extremely close to our planet in the next 100 years, so scientists will be keeping an eye on them, researchers said.

"This record number of discoveries shows that PS1 is the world's most powerful telescope for this kind of study," Nick Kaiser of the University of Hawaii, head of the Pan-STARRS project, said in a statement Thursday (Feb. 24). "NASA and the U.S. Air Force Research Laboratory's support of this project illustrates how seriously they are taking the threat from near-Earth asteroids."

Hunting for asteroids

Scientists discover asteroids by tracking their movement against the relatively static background of stars. To confirm their finds, researchers must make multiple observations within a few days or so to define the asteroids' orbits.

Otherwise, the asteroids are likely to be "lost," researchers said. Pan-STARRS PS1, which has been billed as the world's largest digital camera, is designed to snap hundreds of photos of the sky each night, then compare them to find moving asteroids in deep space.

Pan-STARRS astronomers picked up 30 potential asteroids on the night of Jan. 29. They sent their discoveries to the Minor Planet Center in Cambridge, Mass., which collects and distributes data about asteroids and comets, allowing other astronomers to re-observe the objects.

This helps spread the confirmation workload around to different teams, but the weather didn't cooperate well in this case, researchers said.

"Usually there are several mainland observatories that would help us confirm our discoveries, but widespread snowstorms there closed down many of them, so we had to scramble to confirm many of the discoveries ourselves," said Richard Wainscoat, also of the University of Hawaii.

Confirming the candidates

Wainscoat and several colleagues spent the next three nights following Jan. 29 searching for the asteroids, using telescopes at Mauna Kea Observatories in Hawaii.

They were able to confirm 12 of the space rocks, and other telescopes around the world confirmed another seven, bringing the total to 19.

The other 11 candidates got away, moving too far to be found, researchers said.

Two of the newly discovered space rocks will zip pretty close to Earth in the relatively near future. They pose no immediate danger, but a collision in the next century or so cannot be ruled out, researchers said.

The Pan-STARRS PS1 telescope ("PanSTARRS" is short for Panoramic Survey Telescope and Rapid Response System) was designed specifically to hunt for potentially threatening asteroids. It has a main mirror 60 inches (1.8 meters) wide and a powerful digital imaging system that includes a 1,400-megapixel camera.

PS1 began searching for asteroids in May 2010. The telescope takes more than 500 photos of the sky every night, researchers said.

A NASA team and other dedicated astronomers routinely search for near-Earth asteroids that could pose a potential impact risk to Earth.

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Thursday, February 24, 2011

“'Smallville' co-creator Alfred Gough on the 'Superman' challenge - Weblogs.baltimoresun.com” plus 1 more

“'Smallville' co-creator Alfred Gough on the 'Superman' challenge - Weblogs.baltimoresun.com” plus 1 more


'Smallville' co-creator Alfred Gough on the 'Superman' challenge - Weblogs.baltimoresun.com

Posted:

According to New York Magazine's Vulture blog, "Insiders say the closely-guarded script for 'Superman' suffers from major third-act problems, and the studio faces a ticking clock on that franchise, legally speaking; if a Superman film isn't in production by 2013, Warner Bros. loses the rights to the entire Superman franchise and would have to re-license it from its original creators — the estates of Detective Comics writers Jerry Siegel and Joe Shuster — at great if not prohibitive expense."

For an interview in tomorrow's Live, I recently spoke to Alfred Gough, who co-created TV's "Smallville" with Miles Millar (the two also wrote the script to "I Am Number Four"). He reminded me of Superman's changeable screen history -- and how hard it is to establish a new identity for the Man of Steel and still please fans of Superman comics.

"We were approached by Warner Bros., where we had an overall deal to develop TV shows, literally ten years ago ('Smallville' finishes its TV run in May). Literally we're about to go off and shoot the 'Charlie's Angels' pilot in Miami and ten years ago we were shooting Smallville in Vancouver. They had gotten Superman from the feature division. They were like, 'we want to do Superman in high school, how do we do it, how is it not cheesy?' Remember this is pre-superhero movies. The first 'X-Men' hadn't come out yet and the last generation of Superman had been 'Lois and Clark.' How do you do make it and how do you ground it?

"We realized, going back to the roots, that what's interesting about Superman is that he has been adjusted for every generation. In the Forties he fought the Nazis. Then he was sort of a G-man for the Fifties, the George Reeves Superman doing Clark Kent with the coat and the hat, very matter-of-fact and practical. Richard Donner did the films in the 1970s and made it all epic. Then in the Nineties, with 'Lois and Clark,' he was kind of a yuppie. So it always fit the times.

"Our challenge was, how do you take the guy everybody knows, who's the squarest of superheroes, not cool like Batman, who's not Peter Parker feeling responsible for his uncle's death -- Clark never having had that kind of angst -- and go back to the basics without re-doing what Dick Donner did with the help of [screenwriter] Tom Mankiewicz on 'Superman.' (We loved Dick -- when we had worked on 'Lethal Weapon IV,' we had talked to him about his 'Superman.')

"So we came up with the idea of him crashing to Earth in a meteor shower for a very practical reason -- if a space ship crashes in 1989, how does every satellite in the world not pick it up? Also, if you're Clark Kent and you have these superpowers and you're in a small town, what are you fighting every week? It can't always be social injustice in the cafeteria.

"The idea that kryptonite gave normal people powers was an idea that sustained the series -- also, that Lex Luthor was in Smallville as well. At the time we were burned in effigy on the Internet. I went back to my old high school a year and a half ago and there were seniors who had started watching when they were eight or nine -- and this show had become this generation's understanding of Superman.

"Of course, the next people who start it up will be hated at first, too. I mean, when they took the first Superman film to Comicon, they hated it. There's a certain level of Superman fan you're never going to please.

"But when they screened the pilot of 'Smallville' for the DC writers in New York, and they really liked it, you felt you got a seal of approval. When they finally saw it, the editor of the comic book at the time, Jenette Kahn, said a lot of them were saying, 'Why hadn't we thought of that before' -- the highest compliment to get from people that live and breathe Superman on a daly basis and have for decades."

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Bring on the lockout: NFL has week to forget - CBS Sports

Posted:

In the end, which is now when you think about it, this will be remembered as a Super Bowl the game could not save. Frankly, a slightly-better than average game had no chance against the nightmare of the week.

In fact, if you get right down to it, maybe a lockout wouldn't be such a bad thing, if only to give the sport time to recover from the disasters perpetrated in its biggest week of the year.

An ice storm caused by either intransigent owners or obdurate players (depending on who's doing the spinning) blew the early week to smithereens, and the league's ridiculous inability to put tickets and seats together on Sunday bookended a terrible week for the league's reputation as Party-Giver Extraordinaire and Plenipotentiary.

Oh, the Green Bay Packers were happy, don't get us wrong. They were the best team in football for the last weeks of the season, and without argument. Aaron Rodgers was repaid with a usurer's interest rate for the indignities of the Brett Favre period of his life, and is now the logical inheritor of the Brady/Manning throne as the Quarterback of the Decade.

Mike McCarthy got his back after being blamed in San Francisco for not being able to turn a sow's ear into platinum ingots back in 2005. And general manager Ted Thompson has a metric ton of I-told-you-sos he and his secretary will be working on from now until the first OTA. For all the malicious grief he took on the Brett Favre case, he must be a particularly devoted believer in karma. Good on him, too.

But the league got its comeuppance on so many other fronts last week that the indecipherable shrieks of Christina Aguilera were actually a positive on the What Went Wrong Scale.

The weather ruined the early part of the week, but Roger Goodell, as an employee of the owners, does not yet have the full powers granted to fulltime employees of The Weather Channel.

But those inside couldn't pull themselves away from the labor/management nightmare both sides seem hell-bent upon concluding. The Steelers used Media Days I and II to excoriate the 18-game schedule concept as directly antithetical to league's stated goal of reducing concussions. Both DeMaurice Smith on Thursday and Goodell on Friday struggled to put a sensible explanation for their positions, convincing the rest of us that their chances of doing this right are even smaller than we imagined.

Then came the extraordinary greed of trying to wedge too many people into too few seats, a deserved result of the "temporary seating area" concept. At these prices there should be no temporary seating areas, and the only explanation for why the league thought it was good idea is that it bought into Jerry Jones' idea that putting a high price on even the worst vantage point, people think you're doing something truly special.

Yes they did, and there's a word for it. Gouging.

Frankly, the only way the league can save itself here is if Jones and Goodell go house to house to personally deliver the rebate checks to the 400 fans, and then stay to clean out their garages. I mean, in an event notorious for its avarice, this was a pure ski-mask-and-teller's-note special. And the Party Pass concept, in which you pay an almost exorbitant fee for not having a shot at seeing the game, is a Federal Trade Commission matter if ever there was one.

And then there was game day, in which the league turned the entire day into a civics lesson (the flyover that the people in the stadium could see only on TV was a particularly cynical touch) and then turned the National Anthem into four-cats-in-a-three-cat bag.

Not only that, it reinforced the idea that when your band has agreed to appear at the Super Bowl in any capacity, your career is in freefall. The Black Eyed Peas may still have some life left in them, and credit to them for not electrocuting themselves, but Aguilera? Did she do something important recently that we missed? Who books these acts, Milton Vaudeville?

And finally, it was heart-warming to see that Art Schlichter, onetime quarterback and ongoing gambling addict, allegedly stiffed several ticket-buying clients by taking their money and then blowing it on gambling losses. The Secretary of Metaphor says his medal will be in the mail.

There may even be a case to be made that the game the league keeps saying it is trying to make safer had a staggering number of injuries, but we'll chalk that up to bad luck and two teams that like to hit, well, hitting.

But in all, this was a sorry excuse for a Super Week, a terrible confluence of events, greed and witlessness making Super Bowl XLV the kind of event that makes you fear for the health and sanity of XLVI. I mean, what next -- a meteor shower?

Ray Ratto is a columnist for Comcast SportsNet Bay Area.com ,mf

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Tuesday, February 22, 2011

“The Geminid Radiant Meteor Shower - Associated Content”

“The Geminid Radiant Meteor Shower - Associated Content”


The Geminid Radiant Meteor Shower - Associated Content

Posted:

The Geminid Radiant is a annual meteor shower that can be seen from the first week in December to the third. For the Northern Hemisphere, it is a sky-watching paradise, as the viewing gets better each night. From the
6th to the 18th, the number of fireballs streaking across the sky will increase steadily from 20 an hour, to over 75 on December 13th and 14th. Balls of flame will leave brilliant orange trails, gradually winding down over a few days, until moving out of normal sight on the 18th.

For those in the Southern Hemisphere, viewing is limited because the Radiant does not climb far enough above the horizon, but during the peak on the 13th and 14th, meteors can be seen at an expected rate of 20 an hour.

Known as the Geminid Radiant because it appears to originate from the Gemini constellation, this meteor shower was discovered in the 1860's and then had a peak rate of 30 meteors an hour. Rates have increased drastically over the last 150 years and now include great amounts of glowing green meteors that resemble UFO's.

Geminid's source, or parent, was in question for many years before it was agreed to be an asteroid currently orbiting our solar system. Officially titled 3200 Phaethon, it is believed to originate from an asteroid belt that boarders our galaxy.

This year, the Moon will not be visible during the Geminid Radiant and the location of the shower will put it in the ideal position for sky-watching. Often called the most reliable meteor shower of the year, it

always puts on a show worth getting up early or staying up late for. This awesome sight will not come around again for another year, so get out there and look at the sky!

Tips:

The best time for viewing begins around 2 am, because as the Earth turns toward the coming dawn, the forward velocity has the effect of 'sucking in' more meteors and making them more visible.

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Thursday, February 17, 2011

“IAH announce Solar Eclipse tours Totally Jordan Meteor Shower 2011 now sold out - PRLog (free press release)” plus 1 more

“IAH announce Solar Eclipse tours Totally Jordan Meteor Shower 2011 now sold out - PRLog (free press release)” plus 1 more


IAH announce Solar Eclipse tours Totally Jordan Meteor Shower 2011 now sold out - PRLog (free press release)

Posted:

PRLog (Press Release)Feb 17, 2011 – Due to the popularity of the Totally Jordan Meteor shower tour for 2011 which has now sold out, and the limited availability of places to see this amazing spectacle, IAH Ltd has released their Itinerary for 2012.
Early booking is strongly recommended; don't miss your chance to see this amazing spectacle in 2012.

For further details of the tour see www.solareclipsetours.co.uk/ Jordan_Tours_ Totally_Jordan_ Meteor_Shower.php or give Tom at Flightholiday a call on 0871 855 2925.

While there why not check out our range of Total Eclipse tours in Australia for 2012.

At IAH a solar eclipse is one of our passions - which is why we are totally committed to giving you the best possible solar eclipse tour experience. IAH has 12 years industry experience and is a reputable, knowledgeable, and efficient supplier of quality tours. Some of our clients who have travelled with us in the past are already asking about 2012 too!

For further details of the tour see www.solareclipsetours.co.uk/ Solar_Eclipse_ Australia_Tours.php or give Tom at Flightholiday a call on 0871 855 2925.

IAH Ltd, Specialist in Interest and Activity Holidays. ie F1 Grand Prix in Istanbul, Anzac tours, religious tours for all religions in Turkey including self guided St Pauls way Trekking, Hot Air Ballooning, Diving, Trekking even Solar Eclipse tours.

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Over the skies of Salem County and other parts of Northeast, a bright meteor seen in mid-day sky - NJ.com

Posted:

Published: Monday, February 14, 2011, 7:51 PM Updated: Tuesday, February 15, 2011, 2:49 PM
It's a bird, it's a plane ... no it's a meteorite?

If you were lucky enough Monday, at around 12:45 p.m., you looked to the skies over Salem County and saw a majestic, flaming fireball falling through the atmosphere.

"So far we have 30 reports of a fireball moving in a general west to east direction as seen from the northeastern United States," said American Meteor Society official Robert Lunsford Monday afternoon. "Daylight fireballs are rare and must be exceedingly bright to be noticed with the sun in the sky."

One sighting happened right here in Salem County.

Woodstown resident Walt McGuniess called the Sunbeam and described the meteorite as it flew over top of Woodstown High School.

"I was out on a walk with my son and then I looked over top of Woodstown High School and this huge meteor came hurdling through the sky," said McGuniess. "It was spectacular, like a huge fireworks display."

Lunsford called it a random event.

"This was most likely a random event not associated with any known meteor shower," said Lunsford. "This object was most likely the size of a small car before striking the upper atmosphere (and beginning to burn up)."

Lunsford said the fireball terminated over the Atlantic Ocean.

"There is no hope for recovering any possible debris," he said.

A Ridgefield Park man said he saw the fireball after glancing out a window during a break from his work Monday. HL Devore works at GalleryCollection.com in North Jersey.
 
"It was an amazing sight. I have never seen anything like it," said Devore. "There was a flash of light then a trail of smoke."

Devore took to the computer and as with most types of technology these days the word spread.

Descriptions of sightings exploded on the social networking websites Twitter and Facebook. Posts came from people in New Jersey, Philadelphia, Connecticut, New York and even Egypt.

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Tuesday, February 15, 2011

“Wenders takes 3D to next dimension at Berlin fest - MSN Philippines News”

“Wenders takes 3D to next dimension at Berlin fest - MSN Philippines News”


Wenders takes 3D to next dimension at Berlin fest - MSN Philippines News

Posted:

By Agence France-Presse, Updated: 2/13/2011

Art-house cinema broke into the next dimension at the Berlin film festival Sunday with hotly awaited 3D premieres from European veterans seeking to reclaim the format from Hollywood blockbusters.

Wenders takes 3D to next dimension at Berlin fest

Wenders takes 3D to next dimension at Berlin fest

German Oscar-nominated directors Wim Wenders and Werner Herzog unveiled features that push the limits of 3D cinema, which until now had been a money-spinning vehicle for mass-market movies like "Avatar" and "Toy Story 3".

And France's Michel Ocelot presented "Tales of the Night", a fairy tale in 3D based on his silhouette animation television special. The film is in the running for the festival's Golden Bear top prize, to be awarded Saturday.

Wenders's "Pina", which won warm applause at a press preview, showcases the work of the late German choreographer Pina Bausch.

He said he had long struggled with how to bring the trademark graceful athleticism and emotional rawness in Bausch's work to life on screen and found the answer when he saw a groundbreaking U2 concert film in 3D at Cannes in 2007.

"I never knew if my craft would tell me how to do justice to it," the "Buena Vista Social Club" director told reporters.

"And I felt only when the dimension of space was added to our language that I was able to enter the dancers' very own realm. So that's why it took so long."

The film was conceived as a collaboration with Bausch but her sudden death in 2009 nearly led Wenders to abandon the project.

It was the dancers from her Tanztheater Wuppertal in the Ruhr valley, where Bausch worked for more than 35 years, who convinced him to press on.

The picture takes the choreography from the rehearsal stage to the city's roughly beautiful industrial spaces. Intercut are interviews with the performers, who were still mourning Bausch's loss, adding a strong emotional undercurrent to the film.

"Pina was in a very powerful way always there," Wenders said of the filming. "She was always looking over my shoulder and I would ask her, 'Pina, am I doing this right?'," he said.

Meanwhile Ocelot's film tells the story of two children who go on a magical journey when they spend the night in an old rundown movie house.

The visually arresting picture creates a fantasy world of golden cities, impenetrable forests, werewolves and talking horses.

"3D adds a bit of charm, a little bit of innocent magic, like being beneath a meteor shower and having the time to watch it," Ocelot told AFP.

"But it is not a revolution, it does not change a lot -- you are surprised at first, pleasantly I hope, but quickly you forget the 3D."

Herzog's documentary "Cave of Forgotten Dreams" shines a light on what are believed to be the world's oldest cave paintings, in southern France.

The 400 haunting murals in the Chauvet Pont d'Arc cave in the Ardeche valley were only discovered in 1994 and are thought to be more than 30,000 years old.

The cave is closed to the public to protect the precious drawings. Herzog was tapped as the sole film-maker to present them to the world.

A specially built hand-held camera captured the paintings in relief, revealing how the ancient artists used the grotto's own contours to add nuance to their work.

Some viewers said the shaky camera -- a hallmark of independent cinema -- combined with the 3D effect left them a bit queasy at times but the breathtaking views of the off-limits artwork more than compensated for it.

Critics and film buffs had eagerly awaited this batch of 3D cinema as an aesthetic breakthrough.

Samantha Taylor, co-producer of the 3D urban drama "The Mortician" screening at the festival, noted that the format was only as valuable as the material behind it.

"We have to use 3D in a more emotional way," she told a panel discussion on 3D. "It's not only about daggers flying into your eyes."

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Monday, February 14, 2011

“Watch Smallville Season 10 Episode 12 - Collateral - Gather.com”

“Watch Smallville Season 10 Episode 12 - Collateral - Gather.com”


Watch Smallville Season 10 Episode 12 - Collateral - Gather.com

Posted:

[fivefilters.org: unable to retrieve full-text content]

Show description: An adventure series that focuses on the Superman character as a teenager. A meteor shower bursts from space, raining destruction on the unsuspecting citizens of Smallville, Kansas but delivering to the Kent's the baby to be known as the ...

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Sunday, February 13, 2011

“Works in 'Teresita Fernandez: Blind Landscape' at MOCA Cleveland evoke the grandeur of the universe - Cleveland Plain Dealer”

“Works in 'Teresita Fernandez: Blind Landscape' at MOCA Cleveland evoke the grandeur of the universe - Cleveland Plain Dealer”


Works in 'Teresita Fernandez: Blind Landscape' at MOCA Cleveland evoke the grandeur of the universe - Cleveland Plain Dealer

Posted:

Published: Sunday, February 13, 2011, 6:01 AM
One mark of a really good artist is that immediately after leaving an exhibition of her work, you see the world through her eyes.

That's precisely the effect New York artist Teresita Fernandez creates with her new solo exhibition at the Museum of Contemporary Art Cleveland.

After seeing it, you might linger in amazement over something simple and commonplace, like the pattern of newly fallen snowflakes on a car window or naked tree branches intertwining overhead.

Fernandez is a landscape artist and a sculptor who uses precisely cut sheets of aluminum or stainless steel and chunks of raw graphite or shiny glass beads stuck to a wall to evoke everything from waterfalls to leafy forest canopies, meteor showers or even the Milky Way.

Fernandez engages in a kind of artistic alchemy in which industrial materials produce sensations not unlike the sense of wonder one feels when looking at a night sky full of stars or a breeze rustling leaves in a dense patch of woods.

Her goal is to evoke the grandeur of the universe, along with a sense of the order and harmony that underlie the apparent chaos of nature.

The MOCA show features a selection of big pieces, accompanied by works of lesser heft that veer toward prettiness but still possess a delicate magnificence.

"Drawn Waters (Borrowdale)," one of the signature works in the show, conjures a waterfall with a series of flat panels of machined graphite that are fitted together on an underlying metal framework to create a geometric cascade that, when read from bottom to top, rises up from the gallery floor like the swooping neck of a black swan.

Conversely, read from top to bottom, the cascade widens as it descends, making it appear to flow down into a splashing pool, ringed by shiny boulders of crumbled graphite.

The graphite chunks contrast pleasingly with the smooth, sharply cut planes of the waterfall, with each element accentuating the properties of the other.

Most important, however, is the minimal clarity of shapes created by the entire piece, which seem to pop out against the white walls and oak floor of the gallery like a giant cutout.

Similar ideas motivate Fernandez's "Vertigo (sotto in su)," from 2007, a tapering and gently descending canopy of shiny aluminum panels cut to resemble the leaves of a dense series of trees. The work creates a sheltering, meditative space underneath, which reflects everything directly beneath it, including the viewer.

The showstopper is a vast composition called "Epic" (2009), comprising thousands of tiny chunks of graphite affixed to a long gallery wall atop thousands of collocated vertical smudges of graphite.

Viewed from close range, the work creates a startling contrast between the two-dimensional smudges and the hard, shiny chunks of graphite. Both seem to have been fused to the wall in a single, cataclysmic natural event, like the explosion of a volcano. The smudges hint at some remote, overarching force that blew all the tiny bits and pieces onto the wall from a single direction.

Viewed from a distance, the dots and smears of graphite coalesce to create an overall pattern resembling wisps of smoke, or perhaps clusters of galaxies wheeling away in the vastness of space. Not surprisingly, according to an essay in the show's catalog by New York artist and critic Gregory Volk, "Epic" was inspired by artistic and literary accounts of a spectacular meteor shower in the eastern United States in 1833.

Fernandez, 42, a native of Miami now based in New York, is working some very familiar artistic territory, but in a refreshing and original way. In a word, she's exploring the idea of the sublime, a time-honored artistic concept.

In common parlance, sublime means highfalutin', as in noble or exalted. In the scholarly patois that flows through art-history departments and exhibition catalogs, "sublime" carries a host of associations centering on the mixture of wonder, terror and excitement that comes from confronting something vastly greater than oneself, such as a hurricane, an avalanche or a spectacular sunset.

To experience the sublime is to revel in the smallness of being human in a vast universe or to marvel at the equally infinite smallness of complex worlds that can be glimpsed through microscopes or atom-smashing supercolliders.

Classic expressions of the artistic sublime range from J.M.W. Turner's "Burning of the Houses of Lords and Commons" to Frederic Edwin Church's "Twilight in the Wilderness" at the Cleveland Museum of Art.

Fernandez brings to this tradition a mixture of influences ranging from the Earth Art of the 1960s and '70s to the Minimalism of artists such as Richard Serra.

Like the examples in which her work is rooted, she stresses the natural properties of raw materials applied in a simple, direct manner. She also revels in patterns arrayed across large walls.

Fernandez's interest in bigness and raw materials is part of a genealogy of artistic ideas rooted ultimately in the work of the Abstract Expressionist Jackson Pollock, who reveled in the idea of the sublime and who once reportedly declared, "I am nature."

The scale and crispness of Fernandez's imagery seem naturally suited to permanent or semipermanent application in architectural settings, as public art. This makes it no surprise to discover in the show's catalog that Fernandez had indeed created such installations.

The risk in her work is that it has an underlying delicacy that could make it easily overwhelmed or co-opted unless it were installed in an environment as rigorously controlled as an art gallery. It appears to require a clean, calm, neutral setting to produce the desired effect of awe.

Inside MOCA, however, there's little doubt that Fernandez has succeeded. If you see the show, don't be surprised to find yourself soon afterward thinking twice for a moment before switching the wiper blades to clear the windshield of snow.

"Teresita Fernandez: Blind Landscape" is up through Sunday, May 8, at the Museum of Contemporary Art Cleveland, 8501 Carnegie Ave. Admission is $4. Go to mocacleveland.org or call 216-421-8671.

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Saturday, February 12, 2011

“New writing team takes on 'Soldier Zero' - LehighValleyLive.com”

“New writing team takes on 'Soldier Zero' - LehighValleyLive.com”


New writing team takes on 'Soldier Zero' - LehighValleyLive.com

Posted:

Saturday, February 12, 2011

The first of Stan Lee's new comic book heroes, "Soldier Zero," has been my least favorite of the three comics released from Boom Studios.

It hasn't been a bad book; it just hasn't grabbed my interest as well as "Starborn" or "The Traveler."

But with a new creative team my expectations for the book have never been higher.

"Soldier Zero" is about former Marine Stewart Trautmann. Trautmann serves in Afghanistan until he is wounded by an improvised explosive device. His wound severs his spine and leaves him a paraplegic.

With his military career over, Trautmann turns to astronomy where he becomes a lecturer at Caldon University.

During a meteor shower, a suit of alien battle armor crashes into the building where Trautmann is viewing the show with a friend. To save his friend and himself Trautmann bonds with the armor.

When Trautmann joins with the alien he finds it is an intelligent parasite that grants Trautmann superhuman abilities.

"Soldier Zero" can be compared to other cosmic heroes such as DC's Green Lantern or Marvel's Nova. But he also shares a lot with the Hulk. He is a misunderstood hero feared and hated by the people he's trying to protect.

With this week's issue writers Dan Abnett and Andy Lanning have taken over for Paul Cornell.

The pair's first issue deals with the fallout and investigation of the events of the first four issues.

Abnett and Lanning have been redefining the cosmic universe of Marvel Comics for years.

I can't wait for them to put their mark on "Soldier Zero."

They have made obscure and forgotten characters such as Star Lord and Rocket Raccoon into top-tier heroes of the cosmos.

If Abnett and Lanning can make a talking tree and a raccoon into two of Marvel's most popular heroes, they should have no problem making "Soldier Zero" into a must-read book.

News Production Editor Johnathan Hardick can be reached at 610-258-7171 or by e-mail at jhardick@express-times.com.

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Friday, February 11, 2011

“Bring on the lockout: NFL has week to forget - CBS Sports” plus 1 more

“Bring on the lockout: NFL has week to forget - CBS Sports” plus 1 more


Bring on the lockout: NFL has week to forget - CBS Sports

Posted:

In the end, which is now when you think about it, this will be remembered as a Super Bowl the game could not save. Frankly, a slightly-better than average game had no chance against the nightmare of the week.

In fact, if you get right down to it, maybe a lockout wouldn't be such a bad thing, if only to give the sport time to recover from the disasters perpetrated in its biggest week of the year.

An ice storm caused by either intransigent owners or obdurate players (depending on who's doing the spinning) blew the early week to smithereens, and the league's ridiculous inability to put tickets and seats together on Sunday bookended a terrible week for the league's reputation as Party-Giver Extraordinaire and Plenipotentiary.

Oh, the Green Bay Packers were happy, don't get us wrong. They were the best team in football for the last weeks of the season, and without argument. Aaron Rodgers was repaid with a usurer's interest rate for the indignities of the Brett Favre period of his life, and is now the logical inheritor of the Brady/Manning throne as the Quarterback of the Decade.

Mike McCarthy got his back after being blamed in San Francisco for not being able to turn a sow's ear into platinum ingots back in 2005. And general manager Ted Thompson has a metric ton of I-told-you-sos he and his secretary will be working on from now until the first OTA. For all the malicious grief he took on the Brett Favre case, he must be a particularly devoted believer in karma. Good on him, too.

But the league got its comeuppance on so many other fronts last week that the indecipherable shrieks of Christina Aguilera were actually a positive on the What Went Wrong Scale.

The weather ruined the early part of the week, but Roger Goodell, as an employee of the owners, does not yet have the full powers granted to fulltime employees of The Weather Channel.

But those inside couldn't pull themselves away from the labor/management nightmare both sides seem hell-bent upon concluding. The Steelers used Media Days I and II to excoriate the 18-game schedule concept as directly antithetical to league's stated goal of reducing concussions. Both DeMaurice Smith on Thursday and Goodell on Friday struggled to put a sensible explanation for their positions, convincing the rest of us that their chances of doing this right are even smaller than we imagined.

Then came the extraordinary greed of trying to wedge too many people into too few seats, a deserved result of the "temporary seating area" concept. At these prices there should be no temporary seating areas, and the only explanation for why the league thought it was good idea is that it bought into Jerry Jones' idea that putting a high price on even the worst vantage point, people think you're doing something truly special.

Yes they did, and there's a word for it. Gouging.

Frankly, the only way the league can save itself here is if Jones and Goodell go house to house to personally deliver the rebate checks to the 400 fans, and then stay to clean out their garages. I mean, in an event notorious for its avarice, this was a pure ski-mask-and-teller's-note special. And the Party Pass concept, in which you pay an almost exorbitant fee for not having a shot at seeing the game, is a Federal Trade Commission matter if ever there was one.

And then there was game day, in which the league turned the entire day into a civics lesson (the flyover that the people in the stadium could see only on TV was a particularly cynical touch) and then turned the National Anthem into four-cats-in-a-three-cat bag.

Not only that, it reinforced the idea that when your band has agreed to appear at the Super Bowl in any capacity, your career is in freefall. The Black Eyed Peas may still have some life left in them, and credit to them for not electrocuting themselves, but Aguilera? Did she do something important recently that we missed? Who books these acts, Milton Vaudeville?

And finally, it was heart-warming to see that Art Schlichter, onetime quarterback and ongoing gambling addict, allegedly stiffed several ticket-buying clients by taking their money and then blowing it on gambling losses. The Secretary of Metaphor says his medal will be in the mail.

There may even be a case to be made that the game the league keeps saying it is trying to make safer had a staggering number of injuries, but we'll chalk that up to bad luck and two teams that like to hit, well, hitting.

But in all, this was a sorry excuse for a Super Week, a terrible confluence of events, greed and witlessness making Super Bowl XLV the kind of event that makes you fear for the health and sanity of XLVI. I mean, what next -- a meteor shower?

Ray Ratto is a columnist for Comcast SportsNet Bay Area.com ,mf

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Watch Smallville Season 10 Episode 12 - Collateral - Gather.com

Posted:

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Show description: An adventure series that focuses on the Superman character as a teenager. A meteor shower bursts from space, raining destruction on the unsuspecting citizens of Smallville, Kansas but delivering to the Kent's the baby to be known as the ...

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Thursday, February 10, 2011

“Homeschool families describe their diverse methods and motives - 89.3 KPCC”

“Homeschool families describe their diverse methods and motives - 89.3 KPCC”


Homeschool families describe their diverse methods and motives - 89.3 KPCC

Posted:

Homeschooling has been rapidly gaining in popularity for decades. Now, more than 2 million K-12 kids are homeschooled in the U.S. and their numbers continue to rise. Parents cite a wide range of reasons for choosing home-based education - a desire to provide religious or moral instruction, concerns about school safety, and dissatisfaction with the one-size-fits-all approach to academic instruction, among many others.

One thing that hasn't changed are the many preconceived notions about who homeschools and why. Stereotypes about fundamentalists, left-wing radicals and socially awkward kids abound.

But homeschool families are incredibly diverse. They are secular, religious, multicultural, married, single, rich and poor. The one thing that seems to unify this impossible-to-define community is a deep and abiding love for their children and the hope that through this very personal style of education those kids will grow up to be thoughtful, happy, engaged, active members of their community and the world at large.

Here are stories of people who have shared their homeschool experiences through our online questions:

Scott Zeise, 26, former homeschool student:

Scott was homeschooled by his mother until he entered college at the age of 15.

"News programs love to show the 'hick homeschoolers' who use homeschooling as a way to keep their kids out of the government's clutches! But realistically, every kid has curiosity. The parent just directs it and buys the admission passes/is the chauffeur," wrote Zeise to KPCC.

"At 15 I started taking 15-18 credit course loads at our local junior college... I eventually transferred to a four-year where 55 of my 105 credits transferred over with me, allowing me to get a four-year degree in 2.5 years. Yay, no student loans!"


Ann Zeise, 63, CEO of A to Z Home's Cool Inc.:

Ann Zeise is an active member of the homeschool community. She has not only homeschooled her own son, Scott, but regularly advises other parents who teach their children at home. A to Z Home's Cool became her family business.

Ziese says the fluidity of homeschooling leads to all sorts of interesting opportunities:

"One summer night there was a meteor shower. We camped out in the backyard to watch. We had a sky chart so we could tell each other where to look. That brought up an interest in the stories behind the constellation names. That led to an interest in Native American, Greek and Roman history. Learning that the Romans planned their cities, our son started playing SimCity, which led to questions about how our town was planned... Then our neighbor decided to run for mayor, so to help build a better city, we spent days helping his campaign. When he won, he appointed our son to the Youth Advisory Commission."

Craig Connally, 66, retired engineering/product design manager:

Craig's wife Susan is an executive with a large media/entertainment company. Susan works full-time, so Craig is primarily responsible for teaching their 8-year-old daughter JohannaKate.

"When JohannaKate was a toddler I sought out play opportunities for her; that soon put me in contact with homeschoolers," Connally told KPCC. "Homeschooling was an option then because I was qualified to teach and out of a job, while my wife's career was taking off. JohannaKate rocketed ahead so well that at age 7 I had her assessed. I then realized that homeschooling was an imperative, no longer an option, as she tested profoundly gifted. Our local elementary school is weak, and our district's very limited GATE program is canceled. Schools are highly resistant to acceleration, so there is simply no suitable alternative, even at private schools. Kate enjoys a full-time, one-on-one tutor focused on her total education. Kate is nominally in third grade, but she is doing 6th/7th grade science and math."

"I'm frequently asked by instructors at the 'after school' activities my daughter attends with schooled kids if she is homeschooled. 'How can you tell?' I ask. The answer is always the same: 'They look you right in the eye, they show you respect and they expect you to respect them, and they can stand on their own two feet. You can spot a homeschooled kid.'"

Carol Doose, 61, administrative assistant:

Carol homeschooled her son as a single mother. Doose told KPCC that following her son's natural drive to learn led him to develop a love of reading at his own pace:

"My son's best friend insisted that my boy would never learn to read unless he went to school. As it was, my son had little interest in reading, although he loved being read to and listening to recorded stories. He began reading on his own at age 11.5 years. The first 'Harry Potter' book was a turning point for him... He has just this December, at age 22, graduated with honors from Lewis & Clark College in Portland, Oregon with an English major. He reads more than anyone else I have ever met. Books are his addiction. Go figure."

Jennifer Jones, 41, self-employed:

Jennifer is one half of a biracial couple, with two sons, Corey and Crystov.

"There is no typical homeschool that I'm aware of, other than the parents' belief that they can do it better than a school," Jones told KPCC. "From my exposure to other HS families, my boys are with mom and dad all day, as we both work from home. I've witnessed a feminizing of boys who are at home with mom all day, even down to long hair and effeminate attitudes. My boys (6-and-a-half and 8 months) are engaged with their dad throughout the day."

Like most homeschoolers, Jones and her husband list many reasons for choosing to teach their children at home.

"I want him socialized across ages, not isolated with his own age group all day five days a week. I want to help him discover his interests and teach the subjects from that perspective. I can teach him to be entrepreneurial rather than to be an employee forever in the rat race. I'm not leaving his self-esteem up to chance."

Penina Finger, 51, graphic and user interface/user experience design, product development:

Penina is a single parent "unschooling" her 12-year-old son with a mix of home-based education, outside classes and participation in co-ops.

"Neither of us is a fit for the school systems," Finger told KPCC. "I don't adapt well to institutionalized anything. As for my son, he spent two years at two different schools working hard to contort himself to fit into school culture, and I just couldn't watch him do that to himself anymore."

Finger admits there are some challenges to homeschooling.

"My greatest experiences of failure have to do with areas at which I excel. I made this connection recently: when I believed 'This is something I know,' my son and I found ourselves struggling, at odds, and missing the most important shared goal – joy in discovery."

Skylar Lenox, 25, program coordinator of "Reading to Kids":

Lenox was homeschooled from kindergarten through high school. She later graduated from UC Santa Cruz with a 3.74 GPA.

"When I was younger the two most commonly asked questions were, 'What will happen when you get into the real world' and 'What about socialization?' I found these to be the most ridiculous questions of any someone should ask," Lenox told KPCC.

"I was in the 'real world.' Today, I'm the person who splits the check and figures out tips when I'm out with my friends. I was the person who taught my friends in college how to balance their checkbooks. I was learning the skills I needed for the real world in the real world. As for socialization, see the previous question. I was never short of friends... When I was little I was surrounded by 100+ families and kids of all ages. I went on a ton of field trips, attended community classes, went to Hebrew school, participated in 4H, was a member of a competitive dive club and traveled."

Shari Rosenman, 49, homeschool administrator:

Rosenman is a former lawyer and history teacher and her husband Shep is an entertainment lawyer and, in his spare time, a musician and Jewish educator. Their children are Maya Rosenman, age 14, and Eytan Rosenman, age 12.

"We are typical in that we use a variety of homeschool methods, including online classes, in-home classes, private tutors, community classes, community college and self-study. We are typical in that we regularly attend local park days to socialize with other homeschoolers. We are unique in that we are one of very few Orthodox Jewish homeschool families. We are unique in that we can afford to send our children to private schools, but have chosen not to for the past three years due to our belief that homeschooling represents a better education," Rosenman told KPCC.

"Before we began homeschooling my children had no exposure to Shakespeare. Since homeschooling, we have been preparing for and attending two to four Shakespeare plays each year. My children talk about how much they love Shakespeare plays... my teenage daughter sneaks Shakespeare plays to read after hours in her bed for fun!"

Lynda "DeeDee" Varner, 52, former high school teacher/assistant children's choir director:

Varner and her husband Clifford have three children, Keil, age 15, Heidi, age 13, and Reilan, age 9.

"After spending a considerable amount of time in pubic schools as a teacher, it seemed obvious to me that 'mass education' is not without its inherent and considerable risks, especially in the realm of peer influence. Given that our family is one of faith, we were hesitant to consider the idea that our children would spend the 'lion's share' of their day under the tutelage and influence of those we didn't know well: teachers and peers. In a nutshell: statistically, their young adult years would most likely find them unwilling to participate in organized religion," Varner told KPCC.

"Our children are quite proficient in musical ability. All three of them play harp, and each of them plays an orchestral string instrument. They are charter members of our church's active and traditional children's choir. The oldest two received scholarships to study the pipe organ, in addition to their piano Certificate of Merit course."

Stephanie Paris, 41, freelance writer:

Stephanie and her husband David are the parents of two gifted children. One has been diagnosed with Asperger's syndrome. From hybrid centers - or schools that offer some classes at home and a more organized, group setting - to playgroups, they've found a myriad of ways within the homeschool community to keep their children's lives full of creativity.

"We like to take a lot of field trips, do hands-on experiments whenever possible, research our interests in depth, follow the 'teaching moment' whenever and wherever we happen to be, and generally look at the entirety of our existence as an educational romp," Paris told KPCC.

Paris added that both kids and adults in the homeschool community support self-expression.

"Kids are accepting, grown-ups are helpful. Quirky wasn't a stigma and no one expected them to walk on the playground or follow other arbitrary rules for insurance purposes. Kids are encouraged to take reasonable risks and explore and become self-reliant. Adults are there to help, but not to control every aspect of behavior. One of my daughter's best friends who has Asperger's wore Spock ears. No one teased her!"

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